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Producer Name: Gregg Morrish - 1st Place in Remix Contest Real Name: Gregg Morrish Location: Wales Remix Entry: Gregg Morrish Remix Email: gjmorrish at hotmail.co.uk Website: www.myspace.com/gjmorrish Gregg Morrish produced our judges' top pick in the remix contest. Gregg is a producer from Wales in the United Kingdom. Gregg has only been producing for about a year, but has put together a quality track. His new track, "Break My World," is out in December on the Melodic Records label. He has also had a remix of Ida Corr's "I Want You" released on Ministry Of Sound Germany. |
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Producer Name: TBA - 2nd Place in Remix Contest Real Name: tba Location: tba Remix Entry: tba Email: tba Website: tba We will release details about this entry once we have the legal paperwork completed. |
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Producer Name: Da SaltShakerz - 3rd Place in Remix Contest Real Name: Cop Olivier Location: Belgium Remix Entry: Da SaltShakerz Stop Smiling Remix Email: kenzocop at gmail.com Website: Facebook Da SaltShakerz producers electro-house, progressive, club, and soulful house, and is inspired by Muttonheads, Sebastien Légèr, Arno Cost, Swedish House Mafia, Deadmau5, Booka Shade, A-Track, Dennis Ferrer, and Sharam Jey, to list just a few. Da Saltshakerz says, "The love for beats infected me in the mid 80's, when I was able to watch my dad perfecting his mixing skillz with the early new-beat and some local breakdancers freestyling. In the early 90's I started collecting all the house tunes from that moment. Bonzaï records was the leading name in Belgium at the time, with producers and DJ's including Yves Deruyter, M.I.K.E, Dave Davis ... I knew I wanted to do this too. In the mid 90's I got my first mixing panel and double CD which kept me satisfactied for years. But then 2000 came, and I started to work, so I had little time left to DJ at parties and local clubs. A few years passed, but the love didn't fade, so I made the decision to cross over to producing tracks. I slowly evolved to bigger systems and more complex software over time, until two years ago the first controller and synth came in play. Since then I have always been trying to improve, in search for that ultimate track." |
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Producer Name: David Anthony - Honorable Mention Real Name: David Anthony Location: Halifax, Canada Remix Entry: David Anthony Remix Email: davidanthony14 at hotmail.com Website: http://soundcloud.com/david-anthony Davy likes people, music and words. Booze is pretty cool too. Making women dance is also cool. The beach is nice; so is sex. Mister Anthony like lower latitudes, mamacitas, senoritas and real tequila. And making hit records, small-town living, big-city night-life, cruise ships, cooking, making out and mountain biking. |
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Producer Name: BassQuake - Honorable Mention Real Name: David Kerr Location: Ireland Remix Entry: BassQuake Remix Email: dkdejay at gmail.com Website: www.myspace.com/license2wreck David Kerr is a young producer at 21, who was born and bred in Dublin, Ireland. He started DJ'ing properly about two years ago. Dave was becoming a father right around the time that the contest results were announced, so he was pretty busy at the time, dedicated to getting money in the bank with a tedious job. He doesn't say that he doesn't spend enough time with his music, but it is his true passion in life and whenever he gets time, you'll find him on the decks or on the laptop. He is currently trying to acquaint myself with Ableton. He says that he's only produced a few tracks so far, but thinks that he is improving with each one. If this release is any indication, Dave has a lot of potential in his future! |
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Producer Name: Cozmic Cat - Honorable Mention Real Name: Paula, of Jupiter Productions Location: Toronto, Canada Remix Entry: Cozmic Cat Remix Email: djcozmic at gmail.com Website: www.myspace.com/djcozmic Check out Cozmic Cat's myspace page for a full biography. You'll be pretty impressed! |
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Producer Name: Paulina Wlodarczyk - Honorable Mention Real Name: Paulina Wlodarczyk Location: Poland Remix Entry: Paulina Wlodarczyk Remix Email: paulina.wlodarczyk at hotmail.com Website: facebook Paulina was born in 1989 in Klodzko, a small town in the South of Poland. Music has been her passion since I was young. When she was twelve she started to learn playing on keyboard & guitar, and has tried to produce music just for fun. Most of her productions are trance, dance and chillout tracks. You can hear the trance influences in this track. |
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Producer Name: Chef Napalm - Honorable Mention Real Name: John Lepper Location: Saint John, Canada Remix Entry: Chef Napalm's 212 to 313 Dub Email: chef.napalm at gmail.com Website: www.soundcloud.com/chef-napalm Chef Napalm loves records. CDs are OK and mp3s are fine for previewing records he might want to order, but the Chef only has enough love in his heart for real vinyl records. From ABBA to Zappa, Moby to Madonna, he craves the comfortable crackle of delicious vinyl. One day some friends asked Chef Napalm if they could borrow some of his precious records to play at their party. And he said No. They said Please? And again, he said No. So, they said "Aw, pleeeease?" Finally, he replied, "Alright, but I'll have to play them for you." They agreed and a good time was had by all. |
Lyrics to Bolivia – "Global Underground (Alone In New York)"
When I was young, I always wanted to visit a real city. I was born in Virginia, but I didn't grow up there. I grew up outside a small town, where I lived with my quiet family. We didn't travel much.
When I turned seventeen, we finally got the internet at my house, and my whole life changed. I spent almost every night online, reading about places and people that I hoped I could meet someday.
It wasn't too long after I got the internet that I started downloading music. I didn't like the music on the radio station in my own town, but there was a lot of better music that I discovered online. And one night, I discovered some music that would change my life.
I downloaded a CD of music called The Global Underground. I really liked the name. The music was all by a DJ named Danny Tenaglia. It was a show that he had played at a club in London. I loved it. I must have listened to that CD about two hundred times.
Eventually, I learned that there were more Global Underground CD's. Dozens of them! There were DJ's playing that kind of music in cities all over the world: San Francisco, Milan, Tokyo, Athens, Moscow, Toronto, and of course, New York.
By the time I turned twenty-two, I knew that I had to get away from home. I couldn't stand the thought of spending the rest of my life there, with the same old boring small-town boys. My family didn't say too much. They said that they didn't want me to leave, but I think that they were secretly glad that I was leaving. So I took a bus and I went to New York. I felt so alone.
New York is a pretty scary place for a small town girl who's never left home before. I didn't understand the bus routes. I was scared to use the subway, even though people said it was safe. I felt like the buildings were closing in on me, and I wanted to go to a park, but I thought that even Central Park was dangerous.
Anyway, I got over some of my fears eventually. I found an apartment right away, although it was pretty dirty. But at least it had four locks on the door. And I found a job at a little variety store with a couple booths for people to eat at. I helped the owner stock the shelves and mop the floors. I got to know the regulars. But I still felt so alone.
One day, a couple of boys came in. We didn't get many young people in our store. One of them was pretty cute. I overheard them talking about this club that they were going to on Saturday night, named Pacha, to see John Digweed. I couldn't believe it. For years, I had dreamed about seeing John Digweed play!
I didn't have much money, and I didn't know much about the clubs yet. I thought I couldn't afford to go out to shows, but I knew then and there that this would be my one treat to myself. This was the whole reason that I had come to New York in the first place – for the music.
When Saturday night came, I was so excited. I got there an hour before the doors even opened, because I didn't want to miss a beat. Once I got inside, the club seemed really dark. As I walked through the club towards the dance floor, I couldn't believe how loud the music was playing. But I kept going, and a minute later I was out on the dance floor, all alone.
That night was one of the best nights of my life. I just couldn't stop smiling the whole time. The bass shook my entire body. The lights left me feeling blind most of the time, but I didn't need to see anything. I just danced the entire night, and got lost in the music. People were smiling and dancing with me. It changed my life. For the first time ever, thanks to the music, I didn't feel alone.
Lyrics written August 5th, 2008
Copyright (2008, 2009) Jonathan Clark
All of the musical works on this page have been written and/or produced by the above listed artist/producer, and have been copyrighted in the respective country of residence of the artist/producer prior to being presented on this website. The media files linked to or provided by this site are the intellectual and creative property of their artist/producer. All media is presented for personal transmission, reproduction, redistribution and performance, for non-commercial purposes, at no cost, usage fees, or charges, in any and all current media formats, under the explicit circumstances that artist/publisher/production credits remain intact. All presented media may not be used for mass reproduction or significant commercial gain without explicit written permission from the credited artist/producer. All questions, concerns and queries should be directed to the credit publisher of the media. DJ Bolivia Incorporated and its operators and stakeholders claim no responsibility for all media presented here by artist/producers who have provided these works in good faith, and assert that to the best of our knowledge, there are no copyrighted works or samples presented herein which have been presented without the full express consent of the copyright holder. DJ Bolivia Incorporated and its operators and stakeholders do not claim rights to or ownership of any of the works presented, except where explicitly designated.
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