"Live at the Photosynthesis Festival (Washington State), 2009-08-07"
(126 minutes playing time, 130 bpm progressive house, live recording).
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Download Demo as MP3 (Netfirms Server). Download Covers as JPEG file (right-click). Download Covers as ZIP file (either button). Covers have been designed and sized specifically for printing from within Photoshop 6.0+. |
Note: You may have to right-click and chose the "save target/link as" option to force the downloads, rather than a conventional click which will probably open the graphics or sound files directly within your browser. If the file downloads as a .MPGA file, you might want to change the extension to .MP3 to make it work properly in some players.
This demo was recorded live at the Photosynthesis 2.0 Festival in Trout Lake, Washington, on August 7th, 2009. Click here for additional liner notes about the music on this mix. You'll notice that I didn't list the exact remix that I used for each track. That's because none of them are conventional remixes. I've started taking every track that I play in sets and doing a "Bolivia's Edit" on the track. I usually cut out the major breakdowns entirely, to keep the dance floor moving. Sometimes I mix and match between a couple different remixes of a particular track. For mid-volume breakdowns, I often increase the volume a few decibels. I add one or two effects throughout the track, or drop-outs on key beats. And then finally, I boost with a hard limiter so the volume ends up being fairly consistent throughout, even through the breakdowns. All in all, that keeps the dance floor a lot more aggressive and energetic. If I ever want to give the dancers a quick break, I can reduce volumes on breakdowns on the mixer. I find this keeps things fresh and higher energy. I'll keep a few originals with breakdowns in my crate, so I can play to a lower energy level early in the set if necessary, or so I can give the dance floor a real break late in the night, but 90% of the tracks that I play are ones that I've modified before the show.
For demo purposes only - not for resale or redistribution.
"Live in Las Vegas, Nevada, 2009-07-31"
(78 minutes playing time, 130 bpm progressive house).
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Download Demo as MP3 (Netfirms Server). Download Covers as JPEG file (right-click). Download Covers as ZIP file (either button). Covers have been designed and sized specifically for printing from within Photoshop 6.0+. |
Note: You may have to right-click and chose the "save target/link as" option to force the downloads, rather than a conventional click which will probably open the graphics or sound files directly within your browser. If the file downloads as a .MPGA file, you might want to change the extension to .MP3 to make it work properly in some players.
This mix was recorded live at the Defcon 17 Hackers' Conference, at the Riviera Convention Center in Las Vegas, on July 31st, 2009. You'll notice that I didn't list the exact remix that I used for each track. That's because none of them are conventional remixes. I've started taking every track that I play in sets and doing a "Bolivia's Edit" on the track. I usually cut out the major breakdowns entirely, to keep the dance floor moving. Sometimes I mix and match between a couple different remixes of a particular track. For mid-volume breakdowns, I often increase the volume a few decibels. I add one or two effects throughout the track, or drop-outs on key beats. And then finally, I boost with a hard limiter so the volume ends up being fairly consistent throughout, even through the breakdowns. All in all, that keeps the dance floor a lot more aggressive and energetic. If I ever want to give the dancers a quick break, I can reduce volumes on breakdowns on the mixer. I find this keeps things fresh and higher energy. I'll keep a few originals with breakdowns in my crate, so I can play to a lower energy level early in the set if necessary, or so I can give the dance floor a real break late in the night, but 90% of the tracks that I play are ones that I've modified before the show. Click here for additional liner notes about the music on this mix.
For demo purposes only - not for resale or redistribution.
"Live in Tokyo, Japan, 2007-02-21"
(130 minutes playing time, double CD Set, 128-131 bpm progressive/tribal house).
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Download Full Mix as MP3 (Netfirms Server). Download Full Mix as MP3 (MTA Server). Split for Burning: CD1 and CD2 Download Covers as JPEG file (right-click). Download Covers as ZIP file (either button). Covers have been designed and sized specifically for printing from within Photoshop 6.0+. |
Note: You may have to right-click and chose the "save target/link as" option to force the downloads, rather than a conventional click which will probably open the graphics or sound files directly within your browser. If the file downloads as a .MPGA file, you might want to change the extension to .MP3 to make it work properly in some players.
This set was from a show on February 21st, 2007, at a Fashion Bar called Velours, located in Tokyo, Japan. Thanks to Dave Twomey, the promoter for the evening who arranged the show, and who was the featured DJ for the first half of the evening. For demo purposes only - not for resale or redistribution.
"Live at the Evolve Festival (Nova Scotia), 2004-08-28"
(61 minutes playing time, 134 bpm progressive tech-house).
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Download Demo as MP3 (Netfirms Server). Download Demo as MP3 (MTA Server). Download Covers as JPEG file (right-click). Download Covers as ZIP file (either button). Covers have been designed and sized specifically for printing from within Photoshop 6.0+. |
Note: You may have to right-click and chose the "save target/link as" option to force the downloads, rather than a conventional click which will probably open the graphics or sound files directly within your browser. If the file downloads as a .MPGA file, you might want to change the extension to .MP3 to make it work properly in some players.
This demo was recorded on Saturday night, August 28th, 2004 on the Renegade Stage at the Evolve Music Festival in Antigonish, Nova Scotia, Canada, using two Technics SL-1200 M3D turntables, a Behringer DJX700 mixer, and a Sony MZ-R700 minidisc recorder. This is a set of mostly older tracks, from back in the Spring of 2004 or earlier.
For demo purposes only - not for resale or redistribution.

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